5x07 - Land of the Gods

[Prue Brianna Johnna Halliwell]

DESTINED

'LAND OF THE GODS'

TEASER

BLACK SCREEN

IT READS:

A unified kingdom was formed in 3150 BC by King Menes, leading to a series of dynasties that ruled Egypt for the next three millennia.

Egyptian culture flourished during this long period and remained distinctively Egyptian in its religion, arts, language, and customs.

But before that...

There were the Gods!

CUT TO:

EXT. ALLEYS - VALLEY OF GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

ON A WOMAN - She's wearing a long white gown with a golden cape. She's holding an object between her hands. Her face is covered by the darkness. A lock of her dark hair can be seen. Long. Dark as the night. And it is a very dark night.

She is fast. Not a single soul can be seen apart from her in this long-gone city.

The land of Egypt. The Land of Ancient Egyptian Gods. Old constructions, very advanced for the time. Symbols are drawn on the walls.

She takes her right and heads into an alley. Stops. Glances around and ---

OFF TO A MAN - He comes from the shadows.

The woman looks at him. She holds the object strongly against her chest.

SEPUNTEPET

My Queen.

ON THE WOMAN - She uncovers her face.

The camera takes a close shot of the woman's face. Even in the shadows, there's no mistake. She's the living image of Prue Halliwell. Only that this is not Prue. This is someone else. Someone that came before. Someone that wasn't born the same way humans do. This woman had a very different beginning. She once used to be an Angel named Adriel, but then she took the Fall. And now, she is something more. Not an angel, neither a human, but a fallen angel turned into a Goddess by humans. With powers to rule as Queen of the Earth. Her name, ISIS, the mythical goddess of life magic.

ISIS

Sepuntepet!

Sepuntepet, who is wearing a knee-length male while gown, vows to her.

SEPUNTEPET

I came as soon as you called.

ISIS

The World isn't safe, Sepuntepet.

SEPUNTEPET

He did it, didn't he? Lord Seth did it.

ISIS

He bought a great risk among us by creating this creature.

SEPUNTEPET

He wants to dethrone King Osiris at any cost.

ISIS

He won't ever be half the king Osiris is.

(pauses)

The beast has been stopped, Sepuntepet, but I can't risk that Seth releases it again. The World is such a precious creation to be destroyed.

SEPUNTEPET

Atum's creation must be preserved.

ISIS

Indeed.

SEPUNTEPET

Why did you summon me here, my Queen Isis?

Isis looks down at the objects she’s holding.

ON OBJECT - It is wrapped in a cloth.

Isis looks at Sepuntepet.

ISIS

I’ve managed to lock the demon.

Isis takes off the cloth from the object.

ON SEPUNTEPET - His eyes widen.

SEPUNTEPET

That is your Ankh.

ISIS

Now, it has become more than that. I’ve used it to trap the demon inside. It will cost me to be separated from it, but this is the only object with power enough to contain the demon.

SEPUNTEPET

What do you want me to do, my Queen?

ISIS

I want you to take it.

Isis hands him the Ankh.

ISIS (CONT'D)

Leave this land. Cross the river and settle far away from here. Don’t ever return to this land.

SEPUNTEPET

But my Queen ---

ISIS

The Ankh might never set foot here again. Not in the future. But will in the past. Seth would find it.

SEPUNTEPET

But where should I go? Egypt is the only land I know.

ISIS

There’s more out there. More places yet to be found. The Ankh will guide you. Take it, Sepuntepet.

Sepuntepet takes the Ankh wrapped in the cloth.

ISIS

Many years will pass before you find the one who is supposed to protect it.

SEPUNTEPET

How should I know who that someone is?

ISIS

(smiles)

You will know.

SEPUNTEPET

What if I die before?

ISIS

I’m granting you a long life, Sepuntepet. Your soul will only rest the day you find my equal.

Sepuntepet lowers his gaze at the object.

ISIS (CONT'D)

Find the Power of Three and give the Ankh to their leader.

Sepuntepet looks at Isis.

ISIS (CONT'D)

Now, go, my loyal servant. Go and don’t ever look back.

Sepuntepet nods and runs away.

ISIS (CONT'D)

Might the Gods be with you. Might the one God be with you.

A tear rolls down Isis’ face while she watches as Sepuntepet runs faster until is out of her sight.

ON ISIS - She wipes her tear.

CUT TO:

EXT. SAN FRANCISCO - DAY - PRESENT DAY

INSTRUMENTAL EGYPTIAN MUSIC

Several places all over the town are being shown.

CUT TO:

INT. PRUE’S CONDO - MAIN BEDROOM - DAY

Nate is placing Andrew into the baby stroller and then he puts the baby’s bag on his shoulder.


OFF TO PRUE - She comes from the bathroom and stares for a few seconds at them.

PRUE

Going out?

Nate doesn’t look at Prue. Oh, boy. He must be mad. After the way she talked to him back in Magic School, he has his reasons.

NATE

I’ll take him to the park.

PRUE

Good. Breathing fresh air will do some good for him.

Nate turns to her. Ready to push the baby stroller.

NATE

My son and I need more than just fresh air.

Emphasis on the ‘my son’.

And just like that, Nate pushes the stroller out of the bedroom while Prue watches them.

She takes a deep breath.

PRUE

I need my life back.

She heads to the closet and starts picking some clothes for the day.

CUT TO:

INT. PRUE’S CONDO - KITCHEN - DAY

Bianca and Jo are by the counter having coffee and chatting. They are across from each other.

BIANCA

He was very nice to me, really.

JO

And you are just telling me this now? This is a good sign.

PRUE (O.S.)

What’s a good sign?

They turn to face Prue who approaches them and sits right beside Jo.

JO

It seems like Chris is being very nice to Bianca.

Prue looks at Bianca.

PRUE

Did anything else happen apart from the good attitude he had towards you the day the Firestarter ran away?

JO

(surprised)

Wait! Did you know?

Prue shrugs.

PRUE

I need coffee.

JO

Mum, you didn’t tell me. And you can’t drink coffee. Pregnant, remember?

PRUE

I do. I just keep my hopes that you forget.

Prue touches her belly. Still a very small belly. No one would say Prue was pregnant.

PRUE (CONT'D)

I think it started showing faster when I was pregnant with you.

JO

It has just been a month since we left our reality, mum. Were you, what? Two weeks pregnant when you found out?

PRUE

Maybe.

BIANCA

I’ll get you some orange juice.

Prue grimaces.

PRUE

Yes, I knew about them.

JO

Why didn’t you tell me?

PRUE

You were very busy with Mel.

JO

Well, I haven’t found any relevant yet. I mean, I have a few notes that I need to check out, but I barely good anywhere.

PRUE

We must focus in investigate those spots that differ from our reality.

Bianca hands Prue a glace of orange juice. Prue shoots her a thankful look.

JO

What about you and Wyatt?

Prue has a sip of her juice.

BIANCA

Still haven’t talked since that day on the bridge?

JO

What day on the bridge? 

(mad)

Oh, my God. You’re keeping me on the blue.

PRUE

We’re are not. You are just busy lately. Besides, I can’t talk to you about this stuff.

JO

What stuff?

Prue and Bianca exchange glances. Jo notices the accomplished looks.

JO (CONT'D)

Wait. What happened?

PRUE

I kinda told him that I love him.

Jo’s eyes widen.

JO

Oh, my God!

PRUE

Yeah.

Prue has another sip of her juice.

JO

What did he say?

PRUE

Oh, he thought that I was crazy and then that bitchy wife of him called.

Prue stands.

PRUE

You know what? I need to get some fresh air.

JO

I thought you were going to the library today. Again.

PRUE

No. I need a day off to think. Just get me a list of all demons that were supposed to be vanquished by us and weren’t.

JO

Why?

PRUE

Because every detail counts.

Prue turns and walks into her bedroom.

JO

Prue Halliwell taking a day off?

BIANCA

Hey, she’s your mother. Don’t give me that look.

Bianca turns around and starts cleaning the kitchen. Jo turns to the bedroom entrance and frowns.

CUT TO:

INT. PRUE’S CONDO - BEDROOM - DAY

Prue takes her smartphone from the bed and dials a number. She waits for a few seconds, but on the other end, no one picks up. She gives up. Then she takes her bag, puts the smartphone inside and BEAMS out.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - DAY

ON SMARTPHONE SCREEN - Missed calls.

IT READS:

5 MISSED CALLS FROM PRUE

Wyatt sighs. He puts the phone on the desk and buries his face between his hands.

OFF TO THE DOOR - It opens and Chris comes in.

CHRIS

Hey, Wyatt!

Wyatt raises his face to see his brother. Chris closes the door behind him and shoots Wyatt a look.

CHRIS (CONT'D)

Again, leaving so earlier for work? Jessica was kinda annoyed.

WYATT

Someone needs to work.

CHRIS

Oh, no. Don’t give me that. I’m not Jessica.

Chris sits across Wyatt.

CHRIS (CONT'D)

I’m your brother.

Wyatt sits back on his chair.

CHRIS (CONT'D)

Something is bothering you; I can tell. You’ve been like this for days. Leaving early in the morning. Coming back late at night.

(pauses)

What’s bothering you, brother?

Wyatt takes a deep breath and looks seriously at Chris.

WYATT

Jessica’s pregnant.

Chris’ eyes widen.

ON WYATT - He should be happy, but he is not.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell and Osiris

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell and Isis

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Marisol Nichols as Bianca

Katie Cassidy as Melissa

Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Eric Winter as Nate

Jennifer Morrison as Ella

Stephen Amell as Johnathan

Joseph Morgan as Set

Kathryn McCormick as Nephthys

Brandon Barash as Sepuntepet!

Unknown actors as Mr. Wells 

Unknown actress as Servants

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER BLACK.

OVER CREDITS.

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE all over the town at the sound of ‘Tamally Maak’ by Amr Diab, an Egyptian singer.

Several landmarks all over the town are being shown.

CUT TO:

EXT. BAY MIRROR - DAY

MUSIC KEEPS PLAYING.

ON BAY MIRROR’S SIGN.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - DAY

MUSIC FADES OFF.

ON CHRIS - He is surprised.

CHRIS

Pregnant?

In front of him, Wyatt stares at his brother seriously. He nods.

CHRIS (CONT'D)

But you haven’t ---

Chris cuts himself off.

WYATT

Yeah. Over a month.

Wyatt realizes what his brother was about to say.

WYATT (CONT'D)

Wait. How do you ---?

CHRIS

Know?

Wyatt nods.

CHRIS (CONT'D)

Your bedroom is right beside mine, remember?

WYATT

Right. I do remember. Actually, you and Ella ---

CHRIS

Hey!

Wyatt shrugs.

WYATT

It looks like it happened then. She only found out a few days ago. When she told me ---

Wyatt lowers his gaze. Chris notices his brother is not as happy as he should be.

CHRIS

Isn’t it what you guys wanted?

WYATT

It was.

CHRIS

Was?

Wyatt stands. He seems worried.

WYATT

A lot has happened lately, Chris. A kid now ---

Wyatt turns to Chris and shakes his head.

WYATT (CONT'D)

I wasn’t counting on it. I mean, sometimes I feel like I was supposed to be a father already. Sometimes ---

Wyatt smiles.

WYATT (CONT'D)

Sometimes, I dream of me holding a baby. A girl.

(smiles big)

She’s so beautiful. But ---

Wyatt expression hardens.

CHRIS

But?

WYATT

But ---

CHRIS

Jessica isn’t the mother of that child, is it?

Wyatt lowers his gaze.

WYATT

Chris ---

Wyatt is speechless.

WYATT (CONT'D)

She’s my wife. I ---

CHRIS

Love her?

Wyatt lowers his gaze.

CHRIS (CONT'D)

Then, why aren’t you celebrating with her?

WYATT

Maybe because of the same reason you aren’t spending time with yours right now.

Wyatt and Chris stare at each other.

CHRIS

Something is wrong here. You can feel it too, right?

WYATT

I’m so confused, Chris.

CHRIS

Yeah, me too.

Both brothers stare at each other seriously.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - DAY

ON JESSICA - She is serious. Dead serious.

In front of him is Jared. His expression is not different from hers.

JESSICA

Days. It’s been days since I told him I was pregnant.

JARED

And ---?

JESSICA

Nothing. He seems more distant than ever. He was supposed to be by my side when I wake up in the morning, but he hasn’t been. He comes home late so late that I end up falling asleep. How would I get pregnant, Jared? He hasn’t touched me for over a month.

JARED

He never did, sis. Those memories never truly happened.

JESSICA

I know, but he doesn’t.

JARED

You still got that potion?

Jessica nods.

JARED (CONT'D)

Used it. Forget a romantic night. Just ask him to talk. Prepare him a good coffee or glass of wine and let him drink. Get him to the bed.

Jessica is serious.

JESSICA

What if it fails?

JARED

It can’t fail.

JESSICA

I could get someone to help me on that.

JARED

Help on what?

JESSICA

Putting a baby inside my belly.

Jared understands what she means. He walks towards her.

JARED

You mean, getting pregnant with another man?

Jessica nods. Jared’s expression hardens. He reaches out his hand and grabs Jessica’s neck. She is surprised by that.

JESSICA

Jared ---

JARED

(mad)

Don’t you dare, sis.

Jared tightens his fist around her neck.

JARED (CONT'D)

(mad)

You give me an heir. A Warren hair. I need their powers.

He approaches his face to hers.

JARED (CONT'D)

Are we clear, dear sister?

Jessica nods. Her face is getting blue. Jared lets go of her neck and turns around. Jessica coughs as she holds her neck.

JARED (CONT'D)

Now, go. And find a way to get a Warren baby inside your belly.

Jessica looks up at him and then SHIMMERS out.

ON JARED - He is serious.

CUT TO:

EXT. GOLDEN GATE PARK - DAY

Nate is pushing the stroller. Andrew seems to be asleep. Charlotte is right beside him. Both of them walk. The park is full of people. Parents with their kids, couples…

CHARLOTTE

You guys can't keep this situation.

NATE

Well, it wasn’t me who started it.

CHARLOTTE

I’m sure she regrets what she said.

NATE

Does she?

Nate stops and looks at Charlotte.

NATE (CONT'D)

It’s not what it looks like to me, Char. Your sister was very clear. Andrew is my son. The twins are her daughters. Period.

CHARLOTTE

Nate ---

Nate keeps pushing the stroller.

CHARLOTTE (CONT'D)

She was under stress.

NATE

She’s being under lots of stress lately.

CHARLOTTE

The hormones.

Nate shoots her a look.

NATE

The hormones can’t be an excuse for everything, Char. I know she’s your sister and you love her, but this is going too far.

CHARLOTTE

Because she’s my sister, I know how complicated can be dealing with her. It was never easy, Nate. You two have been together for years. Don’t let a misunderstanding break what you have.

NATE

I’m not. She is.

CHARLOTTE

Nate ---

Charlotte puts a hand on Nate’s shoulder. He stops and looks at her.

NATE

She said he was my son, Char.

Nate and Charlotte look at the baby.

NATE (CONT'D)

It’s like she doesn’t even know him.

CHARLOTTE

Of course, she does.

NATE

Yeah?

Nate looks at Charlotte.

NATE (CONT'D)

She doesn’t look at him like a mother looks at her child. She doesn’t feed him. She doesn’t care about him.

(pauses)

She doesn’t love him.

CHARLOTTE

Oh, Nate, please. Andrew is her son.

NATE

She doesn’t, Char. She did, once. But not anymore. Not the child and ---

Nate takes a deep breath.

NATE (CONT'D)

And she surely doesn’t love me anymore.

Nate looks away and a tear rolls down his face as Charlotte gives him a pitying look.

CUT TO:

EXT. SAN FRANCISCO - DOWNTOWN - DAY

THE STREET IS BUSY. On both sides of the street, there are stores, coffee shops, and restaurants. Some of them are full of people.

Prue comes walking down the street. She has her sunglass on. She seems stress-free. She glances around and smiles.

PRUE

Yep. Feeling normal.

She really seems stress-free. Which it's something we don’t see often in Prue.

PRUE (CONT'D)

Yoga!

(shakes her head)

Breaking my credit card limit sounds so much better.

TAMORA (O.S.)

Hey, pregnant woman!

Prue stops and turns around. She sees Tamora walking fast towards her.

TAMORA (CONT'D)

Can you slow down, please?

PRUE

I’m not walking fast.

Tamora reaches Prue.

TAMORA

It’s not easy to follow you with these shoes.

Tamora points at her high heels shoes.

ON TAMORA’S SHOES - Bordeaux high-heeled shoes with a beaded appliqué.

Prue looks down at the shoes.

PRUE

They’re gorgeous.

TAMORA

Thanks. It was a gift from Sebastian. Hey, you are on high heels too.

Prue shrugs.

TAMORA (CONT'D)

How can you do it? Pregnant woman wearing high heels and walking fast.

PRUE

You were never able to follow my step.

TAMORA

True.

Prue signs them to walk. They do.

TAMORA (CONT'D)

I was surprised when I received your text. 

(looks at Prue)

Shopping?

PRUE

I felt in the mood. Hey, ---

(looks at Tam and smiles)

Don’t you need a wedding dress?

TAMORA

We haven’t even booked the date.

PRUE

Oh, but you should.

TAMORA

We are not in a rush.

The camera moves from them to ---

ON A SHOP - An Egyptian shop. The name in the top. It reads:

‘ALL EGYPTIAN THINGS’

A couple of women come from it.

Prue and Tamora approach the shop and suddenly, Prue stops and stares at it. Tamora stops too.

Prue seems very interested in the shop.

TAMORA

(reading)

‘All Egyptian Things’?

(pauses)

This is new. Don’t remember this here before.

PRUE

(sarcastic)

Oh, great. It thought it was only me forgetting things.

Tamora glances at Prue.

PRUE (CONT'D)

Let’s go in.

Prue doesn’t wait for Tamora to say yes or no. She just goes in. Tamora shrugs and follows her.

CUT TO:

INT. ALL EGYPTIAN THINGS SHOP - DAY

The shop is filled with things from Egypt; old papyrus, imitations of old make-up mirrors, vases with Egyptian hieroglyphics, figures of the Egyptian gods and cats, pyramids with hieroglyphics, jewelry boxes, canopic jars, senet (Egyptian game board), and so many other things.

OFF TO THE ENTRANCE - Prue comes in followed by Tamora.

As soon as Prue comes in, her entrance attracts the owner’s attention.

BEAT. SEPUNTEPET, it the owner. But he seems the same he was when he left Egypt all those millennia’s ago.

He is talking to two customers, but his attention is diverted when he sees Prue coming in.

Prue glances around and smiles as she looks at all the things inside the shop.

PRUE

Oh, Tam. We are in heaven.

TAMORA

Your definition of heaven is so different than mine.

PRUE

These things!

Tamora looks around and grimaces.

TAMORA

Egypt. Why doesn’t surprise me that you are into this kind of stuff?

Prue smiles. Something calls from her attention. She stares seriously at something that’s on the top of a shelve. Too high to be touched.

Tamora notices that Prue’s eyes are fixed in something.

TAMORA (CONT'D)

What is it?

ON AN OBJECT - ISIS’ ANKH.

PRUE

It’s beautiful.

TAMORA

What’s beautiful?

Prue points to the Ankh.

PRUE

It’s an Ankh. It looks so old.

TAMORA

That’s because it must be old.

Sepuntepet walks towards Prue and Tamora.

SEPUNTEPET

Something you like?

Prue and Tamora turn to Sepuntepet. He smiles as he looks straight at Prue.

PRUE

A lot of things, actually.

SEPUNTEPET

It’s you.

Prue and Tamora exchange glances.

PRUE

That Ankh.

Prue points to Isis’ Ankh.

PRUE (CONT'D)

I want it.

Sepuntepet looks at the Ankh and then at Prue.

SEPUNTEPET

It’s not for sale.

TAMORA

Then why is it exposed?

SEPUNTEPET

It’s only waiting for its new guardian.

TAMORA

New guardian?

Sepuntepet doesn’t look away from Prue and Tamora starts noticing it.

SEPUNTEPET

But please, I have some other things.

PRUE

I got so in love with the Ankh. I never saw one like it.

SEPUNTEPET

I believe you haven't.

(pauses)

I have something you might like and that is for sale.

Sepuntepet walks towards the counter and heads in. Prue and Tamora follow him and stand outside the counter. They look at him. He searches for something.

SEPUNTEPET (CONT'D)

It must be right here.

Seconds later, he finds what he’s looking for.

SEPUNTEPET (CONT'D)

Oh, here it is.

Sepuntepet smiles. He holds the small object in his hands. He opens his right hand in front of them and there there’s a beautiful crystal.

ON CRYSTAL - It is a Golden Smoky 5-sided face on at least one of the terminations faces and it’s attached to another blue and green crystal.

SEPUNTEPET (CONT'D)

This crystal was named after the Goddess Isis. It is called Isis Crystal.

PRUE

It’s beautiful.

SEPUNTEPET

The base is of malachite and azurite. Those crystal are combined to represent Isis too. The green of the earth and the blue of the sky together, as Isis is the daughter of the Earth and the Sky.

TAMORA

It looks like you are a big fan of Isis, huh?

Sepuntepet ignores what Tamora says.

PRUE

It’s beautiful.

Prue reaches out her hand to touch the crystal. Sepuntepet takes back his hand. Prue looks at him.

SEPUNTEPET

It’s yours at a price.

PRUE

How much?

SEPUNTEPET

Your name.

Prue smiles.

PRUE

Prue Halliwell.

Sepuntepet smiles and then hands her the crystal. Prue takes it and smiles.

PRUE (CONT'D)

Thank you so much, Mr. ---

SEPUNTEPET

I’m a servant of yours.

Prue smiles. Then she turns around and signs Tamora for them to leave.

TAMORA

(whispering)

Weird! You told him your name.

PRUE

I trust him.

Both of them leave the shop as Sepuntepet watches them.

SEPUNTEPET

My Queen Isis.

Sepuntepet smiles and then looks at the Ankh.

SEPUNTEPET (CONT'D)

Time for you to go back to your one and true owner.

Sepuntepet stares at the Ankh.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. PRESCOTT GROUP - DAY

VIEW at the tall and imponent glass building.

The sun touches its glass walls and windows and shines.

CUT TO:

INT. PRESCOTT GROUP - CASSANDRA’S OFFICE - DAY

Cassandra is by the door saying her goodbyes to one of Prescott Group employees after a session.

CASSANDRA

Please, avoid stressful situations. A few days at home will do you some good, Mr. Wells.

MR. WELLS

Thanks, Dr. Halliwell.

Cassandra smiles. She reaches out her hand to shake his. Mr. Wells leaves the office.
Cassandra is about to close the door when ---

JOHNATHAN

Do you have time?

Johnathan stands there smiling at her. Cassandra smiles.

CASSANDRA

Mr. Hale! Do you have an appointment?

Johnathan smiles. Cassandra signs him to walk in. He does.

CASSANDRA (CONT'D)

What can I do for you?

Johnathan turns at her keeping his smile on his face.

JOHNATHAN

So, I’ve been told that you are very close to getting your Ph.D.

Cassandra smiles.

JOHNATHAN (CONT'D)

After that, we can have you here working full time.

CASSANDRA

Huh, well ---

Cassandra turns around. It seems like there’s something else he doesn’t know about her plans.

JOHNATHAN

What is it?

Cassandra turns to him.

CASSANDRA

I know that I’ve been working hard to get my Ph.D., but there is something else I had in mind. Actually, understanding people’s minds was only the beginning of the other thing I want to do.

JOHNATHAN

Why do I have the feeling that your plans don’t pass through Prescott Group?

Cassandra grimaces.

CASSANDRA

Because they don’t. I’ve already planned in taking a major in journalism.

Johnathan seems surprised.

JOHNATHAN

In journalism?

CASSANDRA

Yes. I always wanted them both and I don’t remember how or when, but I decided to do both.

Johnathan seems really surprised.

JOHNATHAN

You don’t have to leave Prescott Group.

CASSANDRA

I don’t want to push it, Mr. Hale. I don’t know how long it will take me to finish it.

JOHNATHAN

Let’s talk about it, okay? We’ve found a solution for you to study and work at the same time ---

CASSANDRA

You found a solution.

JOHNATHAN

--- We’ll work out this as well.

Cassandra is admired.

JOHNATHAN (CONT'D)

Dinner. Tonight.

CASSANDRA

What?

JOHNATHAN

I know a good and great place to talk to.

CASSANDRA

I don’t think that’s a good idea.

JOHNATHAN

Nonsense. Of course, it is. I’ll pick you up at 8 p.m.

Cassandra wants to argue against, but Johnathan leaves the office quickly.

CASSANDRA

Dinner?!

Cassandra is astonished.

CASSANDRA (CONT'D)

With my boss?!

She walks to her chair and sits back.

CASSANDRA (CONT'D)

That’s not a good idea!

She buries her face between her hands.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - REDACTION ROOM - DAY

Melissa and Chris are by Melissa’s desk discussing an article. The article is on Melissa’s computer screen.

MELISSA

Well, I’ve told you. We cannot have this photo here.

CHRIS

Well, I’ll see what’ve I got.

MELISSA

He can’t be seen as the bad guy, Chris, and in this pic, he looks like it.

CHRIS

Yeah, you’re right.

MELISSA

I’m always right.

Chris shoots her a look.

OFF TO THE ENTRANCE - Jessica crosses the double door.

Chris and Melissa turn and see her.

CHRIS

Hey, Jess!

Jessica walks past them and tells nothing. She heads straight to Wyatt’s office.

MELISSA

What the hell has gone into her?

Chris looks at Melissa.

CHRIS

Marital issues.

Melissa stares surprised at Chris who watches as Jessica heads into the office.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - DAY

Wyatt is on the phone when the door opens and Jessica comes in.

WYATT

No, we can talk about it at the meeting next week, Mr. Hale.

Wyatt looks at Jessica.

WYATT (CONT'D)

No, I’m sure of it. But yes, we must investigate.

Jessica stares seriously at Wyatt. He notices her look on him.

WYATT (CONT'D)

Of course, I’ll have Melissa right into it. If there was a lie in there, we will uncover the truth.

(pauses)

Nate? Okay. Tell him to come and find me when he finds something. Bye.

Wyatt hangs off the phone.

JESSICA

It was about time.

And yes, she is mad. Wyatt looks at her.

WYATT

What are you doing here, Jess?

JESSICA

What am I doing here? Are you kidding me, Wyatt? If I want to see you, this is where I have to come.

WYATT

This is my workplace, Jess.

JESSICA

And I am the mother of your unborn child. Damn, Wyatt. You haven’t cared for us since I told you I was pregnant.

WYATT

It took me by surprise.

JESSICA

It was supposed to be a good surprise.

WYATT

It is.

JESSICA

Is it?

Jessica stares at Wyatt who is serious. Wyatt stares back at her but then looks aside.

WYATT

I just wasn’t waiting for it.

Wyatt stands.

WYATT (CONT'D)

It’s been a rough few weeks, okay? And we weren’t even trying.

JESSICA

We were then.

Jessica stands and walks towards him.

JESSICA (CONT'D)

I love you, baby. And I need you to be with us.

Jessica takes Wyatt’s hand and puts it in her belly.

JESSICA (CONT'D)

It’s so soon for you to feel anything, but the fruit of our love is in here. Inside of me.

Wyatt looks down at Jessica’s belly.

JESSICA (CONT'D)

Come home with me. Let’s talk like we used to. Have a nice meal with a good glass of ---

WYATT

You can’t drink wine.

JESSICA

Orange juice.

Jessica smiles.

JESSICA (CONT'D)

Let’s be together like before.

Jessica approaches him even more. Their faces are pretty close to each other.

JESSICA (CONT'D)

Let’s show this baby how much love there is between mummy and daddy.

Jessica puts her hands around Wyatt’s neck and pulls him down to kiss her. Moments later, Wyatt pulls apart. He takes a deep breath.

WYATT

I can’t. Maybe, tonight.

JESSICA

Promise.

Wyatt nods. Jessica smiles big.

JESSICA (CONT'D)

Can I have another for the road?

Kiss, she meant another kiss. Wyatt nods and kisses her again. This one lasts a little bit longer.

Then Jessica pulls back and smiles.

JESSICA (CONT'D)

I’ll be waiting for you, baby.

Wyatt nods. Jessica walks out of the office. Wyatt sits back in his chair. Exhausted.

WYATT

I need to take you out of my head, Prue.

Wyatt takes a deep breath.

CUT TO:

EXT. HALLIWELL MANOR - PRESCOTT STREET - DAY

Prue’s car is pulled in front of the Halliwell Manor. Both Prue and Tamora come out. Tamora carries some shopping bags.

TAMORA

This was a very productive day.

PRUE

I’m glad you decided to join me.

TAMORA

Like old times, babe.

PRUE

Don’t you really want me to drop you at Whitmore Manor?

TAMORA

No. Sebastian is on a business trip. I’m staying at my parents’ home for a few days.

PRUE

Well, Mel told me she was here. I’m gonna say hello to her. Just hope not to run into that bitchy wife of Wyatt.

TAMORA

Prue!

Prue and Tamora start going upstairs the Halliwell Manor when ---

SEPUNTEPET (O.S.)

Queen Isis?

Prue turns around immediately. Tamora turns around too. In front of them, it is the guy from the Egyptian store.

Sepuntepet is holding an object wrapped in cloth. He smiles as Prue looks at him.

PRUE

What did you call me?

SEPUNTEPET

I called you by the name you were first known on this Earth.

Prue and Sepuntepet stare at each other seriously.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY (MOMENTS LATER)

ON SEPUNTEPET - He is smiling.

Prue stands before him with a serious expression. Tamora is beside her.

TAMORA

This is the guy from the Egyptian shop.

PRUE

He is.

TAMORA

Why did you invite him in?

Prue walks towards Sepuntepet.

PRUE

So ---

(pauses)

Again. What was that name you called by?

SEPUNTEPET

I told you. That was ---

PRUE

The first name I was known by.

TAMORA

Sorry, pal, but she was always known by Prue.

Prue looks at Tamora.

PRUE

Yeah, in this life.

Tamora shoots Prue a look.

TAMORA

Do you have any other?

PRUE

Right. You don’t remember.

Prue turns to Sepuntepet.

PRUE (CONT'D)

I know what I know, the question is, how do you?

SEPUNTEPET

I was a servant of yours.

PRUE

A servant?

SEPUNTEPET

What do you know about Egypt?

PRUE

A lot of things. I love its history.

SEPUNTEPET

Then you know that Isis was a ---

PRUE

Goddess, yes, I do. What I ask is what do you know her.

SEPUNTEPET

Sit. We must talk.

Sepuntepet and Prue stare at each other.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Jo and Melinda are there. Jo is writing down something. From over her shoulder is seen some sort of a list with a few demons’ and evil beings’ names; Ayacha, Ruby, Sender demons, Canvas, Leah, Conrad, Zola, and some others.

MELINDA

Never heard of him.

Jo grimaces.

JO

Huh, Ghouls?

MELINDA

(grimaces)

Ghouls? What are those?

JO

I get it you haven’t met them.

Jo writes down on her notebook.

SOUND - Some voices coming from downstairs.

MELINDA

Wait! Did you hear that?

Jo nods.

MELINDA (CONT'D)

There is someone at home.

JO

(rolls her eyes)

I hope is not that bitchy wife of Wyatt.

MELINDA

Bitchy wife?

JO

Mum gave her that name.

MELINDA

Bitchy wife.

JO

It sticks.

Melinda smiles.

MELINDA

Well, Jessica as always had this way of dressing ---

JO

Very bitchy.

MELINDA

Don’t be so judgmental. She’s a nice person.

JO

She’s sleeping with my ---

(pauses)

--- with Wyatt, so please, ask me anything but not to think she's nice.

Melinda shakes her head.

MELINDA

Let’s go see who is it.

Jo nods. Both women stand and head out the attic.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Prue and Sepuntepet are sitting in front of each other. Sepuntepet still holding the object between his hands. Tamora stands close.

SEPUNTEPET

Isis was our favorite Goddess.

TAMORA

When you say our ---

SEPUNTEPET

Egyptians.

PRUE

The cult of the Gods is long gone.

SEPUNTEPET

Not for me.

TAMORA

They weren’t even real. Just a bunch of nonsense people came up with. They had to adore something.

PRUE / SEPUNTEPET

They were real.

Both smile as they realize they said the same thing. Tamora grimaces.

TAMORA

There’s not proof of that.

PRUE

I know they were real.

SEPUNTEPET

You were one of them.

PRUE

They called themselves Gods.

SEPUNTEPET

They didn’t. People did. They had extraordinary powers. Yours were the most extraordinary of them all. And so Osiris'.

OFF TO MELINDA AND JO - They come in.

MELINDA

What’s going on here?

TAMORA

Oh, thank God.

Tamora looks at them.

TAMORA (CONT'D)

The one God I've ever known.

SEPUNTEPET

(to Prue)

You asked me to find you and give you something.

PRUE

I did?!

SEPUNTEPET

Queen Isis did.

PRUE

But how?

SEPUNTEPET

I was a loyal servant to her. When the God of Chaos, Set, threatened to raise a demon able to destroy what they created.

TAMORA

Only God created it.

Tamora seems annoyed by that.

PRUE

Tam, please, I’ll explain later.

Prue turns to Sepuntepet.

PRUE (CONT'D)

Did he? Set? 

Sepuntepet nods.

SEPUNTEPET

He did. But Queen Isis was able to stop him. She asked me to come and find her equal. The new guardian of her most precious relic.

Sepuntepet looks down. Melinda approaches Tamora.

MELINDA

Should I be worried?

Tamora shrugs. Sepuntepet unwraps the object and ---

BEAT. IT’S ISIS’ ANKH.

Prue’s eyes widen.

PRUE

That is the Ankh I saw in your shop.

SEPUNTEPET

It is more than that. I am supposed to hand it to you so you can do what you must.

PRUE

And what is it that I must do?

SEPUNTEPET

She never told me. Her only words were that it can’t be taken to Egypt. Not in the future, but will in the past.

PRUE

What does that mean?

Sepuntepet shrugs.

SEPUNTEPET

She asked me to find you and the Power of Three. 

Prue, Melinda, and Tamora exchange glances.

SEPUNTEPET (CONT'D)

I’ve found you. I guess you are the leader of the Power of Three, whatever that is.

PRUE

Can I hold it?

SEPUNTEPET

You can. But as soon as you touch it, I might be gone.

JO

How so?

SEPUNTEPET

I’ve lived a long life. I’ve seen so many things. I won’t have a funerary service as my ancestors did. But I will go back to my land.

(smiles)

It’s been so long.

(to Prue)

Is there anything else you wish to ask me?

Prue thinks for moments.

PRUE

Osiris?

SEPUNTEPET

Oh, the first Pharaoh of Egypt. You were the light of his eyes.

Prue smiles. Then, Sepuntepet hands her the Ankh.

SEPUNTEPET (CONT'D)

This belongs to you.

Prue grabs the Ankh with her bare hands. As soon as she does, something happens to Sepuntepet.

ON SEPUNTEPET - He turns to dust and disappears from existence.

The four of them stare at it astonished.

MELINDA

What just happened?

TAMORA

That’s a very good question. Would you mind to answer, Queen Isis?

Tamora looks at Prue who stares seriously at the Ankh. She stands.

PRUE

There’s an inscription here.

JO

What does it say?

PRUE

I don’t know.

Prue looks at them.

PRUE (CONT'D)

He was looking for the Power of Three.

MELINDA

What for?

TAMORA

Oh, let me see that.

Tamora walks towards Prue and has a look at the Ankh.

TAMORA (CONT'D)

It does seem very old.

JO

It must be. The man turned into dust.

MELINDA

Well, he said he would meet his end kinda sorta. 

Melinda walks towards Tamora and Prue who stare at the Ankh.

MELINDA (CONT'D)

(to Prue)

Maybe if you say the inscription we find out.

PRUE

He said I would know what to do.

TAMORA

Do you?

The three Charmed Ones stand side by side looking at the Ankh.

PRUE

Oh, well, I feel like I must say the inscription. No hieroglyphics at least.

JO

Prue?

Prue starts reading even if she doesn’t know what those words mean.

PRUE

(reading)

‘Quat althlatht satakhudhuna 'iilaa 'ard alaliha’

Which means 'The Power of Three will bring us to the Land of Gods'.

Suddenly, a wind comes from the window and surrounds Prue, Melinda, and Tamora.
Jo is astonished.

JO

Guys?

Prue, Melinda, and Tamora turn into dust and fly across the window. Taken away in the form of dust.

The Ankh falls on the ground. Jo is astonished.

JO

Oh, boy!

ON JO - She grimaces.

CUT TO:

INT. PALACE OF THE PHARAOH - TEMPLE OF THE GODS ROOM - VALLEY OF THE GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

The room is filled with what looks like being figures of Gods. Some are bigger than others, but four of them stand out more than the rest. Those are the figures of the Egyptian Gods Osiris, Isis, Set, and Nephthys. The room is also filled with Hieroglyphics.

One of the windows is opened by the wind and dust comes through it. Then it materializes into three women; Prue, Melinda, and Tamora.

The three of them glance around.

TAMORA

(annoyed)

Oh, for the love of God! Where are we?

MELINDA

We are not in Kansas anymore, Dorothy!

Prue walks towards the four biggest figures of the room. She stands by them amazed. Then she turns to Tamora and Melinda.

PRUE

We are in the Land of the Gods.

Melinda and Tamora exchange glances. They don’t like the sound on it. Prue turns to the figures of the Gods.

ON THE FIGURES of Osiris, Isis, Set, and Nephthys.

CUT TO:

INT. PALACE OF THE PHARAOH - TEMPLE OF THE GODS ROOM - VALLEY OF THE GODS - ANCIENT EGYPT - NIGHT - MOMENTS LATER - A VERY LONG TIME AGO (SHORTLY AFTER)

The three Charmed Ones are still there. Prue is the one who seems most amazed by the whole thing that the others.

TAMORA

So, let me get this straight. When you say the Land of the Gods you really mean ---

PRUE

Egypt!

Prue touches the figures of the Gods.

PRUE (CONT'D)

Oh, my God. This must be one of the first that were ever made.

MELINDA

So, Egypt, huh? Not one of my favorite destinations, but I won’t complain if I can get to swim in the Red Sea.

Prue turns to them.

PRUE

I don’t think we came here to take a bath in the Red Sea.

MELINDA

The Nile, then?

PRUE

No. Guys, look around.

Tamora and Melinda glance around.

PRUE

We are in a place that was only available in our dreams.

TAMORA

Not in my dreams for sure. What are those statues?

PRUE

Gods. From ancient Egypt. A very ancient Egypt. One that dooesn't even come in books.

TAMORA

Like I said before, the cult of Gods is long gone.

PRUE

Not now. It has only started.

MELINDA

What do you mean, Prue? And how do you know so much about this place?

PRUE

It’s Egypt. This is before what we've known of ancient Egyptian civilization.

Prue approaches Isis’ statue.

PRUE (CONT'D)

Look at Isis.

Tamora and Melinda look up at the figure of Isis.

PRUE (CONT'D)

This is my first life on Earth. Back in the beginning of times.

TAMORA

She seems lifeless to me.

PRUE

It’s a statue. But it is me.

MELINDA

Prue, c’mon. Past life as a Goddess?

TAMORA

And why do you get to be a Goddess? A false Goddess?

PRUE

The Books of Angels. I’ve read it there.

TAMORA

You never read the Books of Angels, Prue. I am the guardian and don’t remember to ever borrow them to you.

PRUE

You didn’t. You actually gave them to me. But that memory of yours was replaced by some other for sure.

Tamora and Melinda exchange glances.

PRUE (CONT'D)

When we were dealing with Gadreel, I found out that I used to be an Angel.

TAMORA

A Goddess and now an Angel.

(mad)

Give me a break!

MELINDA

Let’s hear her.

TAMORA

(to Melinda)

Do you believe this nonsense?

Melinda shrugs. Then she turns to Prue.

MELINDA

Continue.

PRUE

I was saying, I found out I was an Angel. Adriel took the Fall.

MELINDA

The Fall?

PRUE

(nods)

Yes. She was part of Gadreel’s rebellion until she fought against him and locked him down.

MELINDA

This Gadreel character is a ---?

PRUE

Angel. He is possessed by Darkness right now.

(pauses)

When he was stopped, several Angels were punished. They had to take the Fall. I went with them. They landed here, right outside what was not even a land. And they took other names. Adriel named herself Isis.

MELINDA

And she became a Goddess.

PRUE

As Sepuntepet said, they had powers. People made them Gods. They built this land.

TAMORA

Fine. Let’s pretend that’s true ---

PRUE

It is.

TAMORA

Let’s pretend. What are we doing here? Can we catch a plane home? Or Orb there.

PRUE

I don’t think is that easy. Look around. This is not the first time we’ve done this.

Tamora and Melinda glance around again.

MELINDA

We traveled back in time, didn’t we?

TAMORA

What?

Prue smiles.

PRUE

We did.

TAMORA

We never traveled back in time before.

PRUE

Yes, we did. Again. You don’t remember.

MELINDA

What time are we?

PRUE

My hunch? We’ve come a long way back.

SOUND - FOOTSTEPS APPROACHING.

PRUE (CONT'D)

Someone’s coming.

TAMORA

Oh, great. Maybe they can explain what’s going on.

PRUE

No, they can’t. We must hide. Fast.

Prue goes to hide behind some figures on the floor. Melinda and Tamora follow. The room is a little dark so maybe they are lucky and no one sees them.

Moments later, a woman comes in followed by her servants.

PRUE, MELINDA, AND TAMORA POV - She wears a long golden gown. Egyptian style. She also wears ornaments, jewelry made of precious stones. Her hair is long and straight. Its color is black and is adorned at the edged by smalls balls made of gold. On top of the head, she wears a golden headband made for a Queen.

The other two women wear normal white gowns and little ornaments. Their hairs are black and shorter, also they wear it straight.

When the light hits the face of the Queen, Prue, Melinda, and Tamora can’t avoid the surprised look.

QUEEN ISIS is there. She stands before the figures of herself and her siblings.

TAMORA

(whispering)

Is that ---?

PRUE

(whispering; sarcastic)

Are you still in the mood to take a plane home?

Isis takes a deep breath.

SERVANT #1

They were delivered today, my Queen.

SERVANT #2

My Lord Set asked the servants to place them here. Above all the other Gods.

ISIS

Gods! Why would we be called Gods?!

SERVANT #2

You are Gods, my Queen. You’ve created Egypt. 

SERVANT #1

The Children of Geb and Nut.

SERVANT #1

Descendants of Atum, the first God.

SERVANT #2

Atum’s statue should arrive soon.

SERVANT #1

It will be standing in the middle of the four of you.

Isis closes her eyes.

ISIS

Very well. I’ve seen enough. I need to talk to the Pharaoh. Do you know where Osiris is?

SERVANT #2

He is in the Throne Room, my Queen.

ISIS

Let’s go.

Isis starts heading the door and the servants follow. But before leaving, Isis turns at the place where Prue, Melinda, and Tamora are. The three girls try to hide their faces. Isis smiles. It’s like if she knew they were there. Then she turns around and leaves followed by the servants.

Once they’re gone, Prue, Melinda, and Tamora come out.

MELINDA

(to Prue; astonished)

That was you. With all the ornaments, the little light, I could see it.

(pauses)

It was you.

Melinda and Tamora stare astonished at Prue.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

ON THE ANKH - Someone wraps it with the cloth.

Jo takes the Ankh from the floor.

Chris and Bianca are there.

CHRIS

You telling us that they just vanished.

JO

That’s what I just said. They vanished like dust.

CHRIS

When Prue read what was in that Ankh?

Jo nods.

CHRIS (CON'T)

Let me see it.

JO

Oh, no.

Jo pulls back the object.

JO (CON'T)

We should not touch it.

BIANCA

Then how are we going to bring them back.

JO

I think we are not supposed to.

CHRIS

But we don’t even know where they are.

JO

Well, Egypt, maybe. In the time of Gods, maybe.

CHRIS

In the time of Gods?

JO

Look, that man said that it was Goddess Isis who gave him the Ankh. So, maybe that’s where they are. We should not worry.

BIANCA

You are very calm.

JO

I’m not. I’m worried. I just feel like they are okay.

Chris and Bianca exchange glances.

SOUND - FRONT DOOR OPENING.

Soon, Jessica comes in followed by Ella. They come laughing. As soon as they see Jo and Bianca, their laughing stop.

JESSICA

Well, well, well, look who’s here.

ELLA

What is this woman doing here, Chris?

JO

I called her.

JESSICA

You have no right to invite people to this house.

JO

I have more rights than you can imagine.

CHRIS

People, please.

Chris puts his hands to his hips.

CHRIS (CON'T)

Prue, Mel and Tam are missing.

ELLA

Missing?

CHRIS

They were transported in time, maybe.

JESSICA

Well, they certainly will know how to get out of there. C’mon, Ella, I want to show you what I brough for the baby.

Jessica leaves the living room. Jo and Bianca exchange glances. Ella looks at Chris.

ELLA

I just hope I can say the same soon.

Chris lowers his gaze. Ella leaves the room.

JO

Baby?

Chris looks at Jo.

JO (CON'T)

What baby?

Chris takes a deep breath.

CHRIS

Well, I guess it’s not a secret anymore.

(pauses)

Jessica is pregnant.

JO

(astonished)

What?

Jo and Bianca exchange glances. Worried glances.

CUT TO:

INT. PALACE OF THE PHARAOH - CORRIDOR - VALLEY OF THE GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

The corridor is full of pillars on both sides.

Prue, Melinda and Tamora come walking down the corridor. Prue walks fast while Melinda and Tamora try to follow. They also look around every now and then.

MELINDA

Prue, we should be trying to find a way back.

PRUE

We are not supposed to go back yet.

MELINDA

Why not? I want to go back.

TAMORA

Can you slow down?

PRUE

No, I can't slow down.

MELINDA

How can you guys wear high heels all the time?

TAMORA

How can she walk this fast on those heels?

PRUE

Someone’s coming. Hide.

The three of them hide behind some pillars as some guards walk past them. Once they are gone, the keep the walking.

TAMORA

Where are we going?

PRUE

We must find Isis room.

TAMORA

Why?

PRUE

She might know why we are here.

TAMORA

(sarcastic)

Of course, she does!

They keep walking.

CUT TO:

INT. PALACE OF THE PHARAOH - ROYAL BEDROOM - VALLEY OF THE GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

The royal bedroom. It is big. The bed is in the center made with fine fabrics. Fine fabrics also adorn the whole room. Golden jars all over the place. There is some sort of table with makeup and some sort of a mirror. The walls are colorful. There are also some big vases made of gold with fire that lighten the room. There are also plants and some sofas. The room is divided in two; the entrance which is separated by fabrics from the sleeping area in which there’s also a balcony. Curtains wave softly. The double doors are imponent.

The doors open.

Prue, Melinda and Tamora come in. Melinda and Tamora close the doors behind them as Prue looks astonished at the bedroom.

MELINDA

Heavy doors.

TAMORA

Luckily there wasn’t a guard outside. I’ve seen it in the movies.

Melinda and Tamora look at the bedroom.

MELINDA

Oh, My God.

TAMORA

Is this a bedroom?

PRUE

(open-mouthed)

It’s beautiful.

They come inside.

PRUE (CON'T)

Made for a queen.

MELINDA

Are we sure this is Isis’ bedroom?

PRUE

I’m pretty sure it is.

Prue touches the fabrics.

PRUE (CON'T)

Oh, so soft.

TAMORA

How are you so sure this is Isis’ bedroom?

Prue turns to them.

PRUE

Did you see her? I’m pretty sure that if I was her, I would have a bedroom like this.

They look at the bed.

TAMORA

It looks comfy.

Prue heads towards it and lies down.

PRUE

It truly is.

MELINDA

Guys, we must focus in getting out of here.

Prue stands.

PRUE

First thing, first. We came here for a reason.

TAMORA

Which is?

PRUE

I have no idea. That’s why the two of you should ask Isis.

MELINDA

Wait! The two of us?

PRUE

Of course. I mean, time travel. It always works the same. She can’t see me.

TAMORA

Oh, but she can see us? Prue, she’s a freaking Goddess. She has powers. Look at us.

MELINDA

We are not Egyptians, Prue.

PRUE

She will believe you, trust me.

MELINDA

Trust you? You sound mental lately.

PRUE

Do I?

Prue and Tamora stare at each other.

MELINDA

Guys!

PRUE

Look. We must find out what’s the purpose for us to be here. She cannot see me and I’m pretty sure that helping her is the way of getting out of here.

TAMORA

Helping her on what?

PRUE

That’s what we must find out.

TAMORA

(mad)

Oh, I swear to God, Prue, the one mighty God, that if we end up being offerings to the Gods, I’ll vanquish you.

PRUE

They are the Gods. That practice came after they were long gone.

TAMORA

Still.

SOUND - VOICES APPROACHING.

PRUE

Someone’s coming. Hide.

Melinda and Tamora hide behind some fabrics as Prue glances around. She looks at the balcony.

PRUE (CON'T)

(shrugs)

I can use a view over the city.

She heads towards the balcony and steps outside hiding behind the curtains.

OFF TO THE DOUBLE DOORS - They open. Isis comes in followed by the two servants. Two guards hold the doors. Isis stops as she sets foot inside the bedroom. The servants stop too.

ISIS

Leave.

SERVANT #2

But, my Queen.

ISIS

Leave. I’ll be waiting for me husband alone.

The servants bow and then leave the bedroom. The guards close the door.

ON ISIS’ FACE - She smiles.

Isis walks into the sleeping area.

ISIS (CON'T)

You can come out. I’m alone already.

From behind the fabrics on her right comes out Melinda. Isis looks at her and smiles. Then Isis looks at her left and Tamora comes from behind the fabrics. Isis smiles.

ISIS (CON'T)

Hello, the two of you.

Isis walks towards her bed. Melinda and Tamora look at each other.

ISIS (CON'T)

I really appreciate for the two of you being here, but ---

Isis turns to them.

ISIS (CON'T)

--- The eldest one is missing.

Melinda and Tamora exchange glances.

ISIS (CON'T)

Why is she still hiding?

MELINDA

Hum, because ---

ISIS

I want to see my equal. Come out, come out ---

(smiles)

--- Prue.

Isis looks at the balcony. Moments later, Prue comes into the room.

Isis smiles as she sees her.

ISIS (CON'T)

Oh, my God, you are so ---

PRUE

Beautiful? Yeah, you too.

Melinda and Tamora roll their eyes.

ISIS

I was going to say real. You are so real. But beautiful suits you as well.

PRUE

How did you know we were here? How did you know my name?

TAMORA

You know our names too?

Isis turns to Melinda and Tamora.

ISIS

Sorry, I only know that you two alongside Prue are the Charmed Ones.

Isis looks at Prue.

ISIS (CON'T)

But when I was descending to this world, I got to see all my future lives. I learned their names.

PRUE

When you took the Fall.

ISIS

You know my story.

PRUE

I had to learn it a while ago.

Isis gets serious.

ISIS

He got out, didn’t he?

PRUE

Don’t worry. He’s back in there again.

Isis smiles.

ISIS

You are the most powerful of my future lives. I don’t doubt it.

MELINDA

What are you guys talking about?

ISIS / PRUE

Gadreel.

Both smiles as they say that name together.

TAMORA

Funny. You two are so much alike.

Prue and Isis look at Melinda and Tamora.

TAMORA

Now that we’ve agreed that the two of you are the same, can someone tell us why are we here?

ISIS

How did you end up here?

PRUE

Don’t you know?

ISIS

I have visions. But none of them are about my current life. I guest there’re rules.

MELINDA

It was a guy.

TAMORA

He said he was your servant.

ISIS

Which one of them?

TAMORA

(sarcastic)

Of course, because you have so many.

PRUE

Tam!

MELINDA

Yeah, Tam, cut the rudeness. 

Isis approaches Tamora.

ISIS

You don’t like me.

TAMORA

I never said that. I just don’t believe in false Gods.

Isis glances at them.

ISIS

False Gods.

Isis laughs.

ISIS (CON'T)

Is this still a practice in the future? Please tell me it is not.

PRUE

The cult of the Gods is long gone. There’re some others false Gods there as money and power.

ISIS

Money?

MELINDA

Like gold.

ISIS

Oh, I see.

(to Tamora)

Well, you do well. I don’t believe them either. There’s only one God.

TAMORA

Then why do you call yourselves Gods?

ISIS

I don’t. Osiris doesn’t either. Even my sister Nephthys doesn't. Only her husband and my brother Set considers himself a God. And through him it started. And so, we all started being adored as Gods.

(takes a deep breath)

I had my hopes that it would disappear after we leave this plane.

PRUE

It won’t. It will last for a few millennials. But hey, the twenty-first century, there’s only one God. Many religions fighting in his name, but only one.

ISIS

Twenty-first century. How many years separate this time from yours?

PRUE

Oh, like ten thousand years. Give or take.

Isis’ eyes wide.

ISIS

Wow.

TAMORA

Yeah, back to what matters, please.

ISIS

Right. My bother Set. He hates Osiris. He believes that Osiris shouldn’t be the Pharaoh. 

PRUE

He wanted to usurp his brother’s throne.

ISIS

Indeed.

ISIS

My husband is a good Pharaoh. He wouldn’t do any harm to any of his sibling. 

TAMORA

Wait, Set and Osiris are siblings?

ISIS

Yeah.

TAMORA

And Set is also your brother?

ISIS

Yes.

TAMORA

And you are married to Osiris?

PRUE

For the love of God, Tam, did you ever read an history book from ancient Egypt?

TAMORA

I have. I work in a museum, remember?

Prue and Melinda give her a pointed look.

TAMORA (CON'T)

Fine. I just read what matters to me.

ISIS

A book? Oh, I won’t get to know what a book is.

PRUE

A compilation of papyrus, sorta.

ISIS

Well, I was saying that Set has been doing bad things in order to end my husband’s reign.

TAMORA

Your brother.

Isis looks at Tamora.

ISIS

It’s not incest between us. Osiris and I weren't and won't ever be humans. As cousin’s marriage won’t ever be. 

Isis looks at Prue.

ISIS (CONT'D)

Some cousins are just Destined.

Prue smiles.

ISIS (CONT'D)

Set has been working in releasing a demon that he created back when we were Angels. It was cast to hell and he plans to bring him back.

MELINDA

For what?

ISIS

Set is known as the God of chaos. That’s what he wants. 

(pauses)

Chaos.

PRUE

Then, we must stop him.

ISIS

That’s why you are here.

PRUE

What are we supposed to do?

SOUND - A KNOCK ON THE DOOR.

ISIS

Hide.

Tamora rolls her eyes. Prue, Melinda and Tamora hide in the same places as before.

ISIS (CONT'D)

Come in.

Soon, Sepuntepet, wearing his Egyptian clothes, comes in a rush.

SEPUNTEPET

My Queen.

ISIS

What is it, Sepuntepet?

SEPUNTEPET

He has released the best. The Hatayw has been seen leaving the palace and heading to the town.

ISIS

Sepuntepet, ---

Isis approaches him.

ISIS

--- Go home to your family and don’t leave until I say so.

(pauses)

I’m gonna bring an end to this nonsense.

SEPUNTEPET

Of course, my Queen.

Sepuntepet nods and walks out the bedroom. Prue, Melinda and Tamora come from their hiding.

PRUE

That was the guy you sent to meet us.

ISIS

Sepuntepet?

Prue nods.

ISIS (CONT'D)

Eternal life. Did I give something to him?

PRUE

An Ankh. A very beautiful one.

Isis gets thoughtful. She glances around and heads to the table where all her makeup is. She takes something from it.

ISIS

This one?

Isis shows them her Ankh.

PRUE

That’s the one.

Isis smiles.

ISIS

The three of you need to change.

PRUE

Oh, no, I can’t. I look like you.

ISIS

They cannot see us together. But we will fight in separate parts.

Prue, Melinda and Tamora exchange glances.

ISIS (CONT'D)

Now, let’s dress you up.

PRUE

Well, let’s go save the land of Egypt.

ISIS

Egypt? That's how the Land of the Gods is called?

MELINDA

You guys named it the Land of the Gods?

ISIS

People did. But I like Egypt. From now on, Egypt it is.

Isis and Prue smile. Melinda and Tamora exchange glances.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. HALLIWELL MANOR - KITCHEN - DAY - PRESENT

Jo comes in followed by Bianca. Jo seems upset.

JO

This can’t be happening.

BIANCA

Jo, calm down.

Jo turns abruptly to Bianca.

JO

How can I calm down? She can’t be pregnant. This wasn’t supposed to happen.

BIANCA

Maybe it all fades away when it’s fixed.

JO

No, it won’t.

Jo is desperate.

JO (CONT'D)

This couldn’t be happening. When mum finds out ---

BIANCA

We won’t tell her, okay? We must focus on fixing this.

JO

She will find out, Bianca. And she will suffer over this. That baby can’t be born.

BIANCA

Jo!

CHRIS (O.S.)

Why?

Bianca and Jo turn around and there is Chris, standing in the entrance.

CHRIS (CONT'D)

Why not?

JO

Because ---

Jo doesn’t know what to say.

JO (CONT'D)

It just ---

(exhales)

It can’t. It’s wrong.

Chris and Jo stare at each other.

CHRIS

Because you don’t want siblings. Is it?

JO

What?

Jo and Bianca exchange astonished glances between them. Then Jo looks seriously at Chris.

CUT TO:

INT. PALACE OF THE PHARAOH - ROYAL BEDROOM - VALLEY OF THE GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

Prue stares at her own reflection in the mirror. She’s dressed in a long golden gown. She wears Egyptian jewelry and one of Isis headbands. She also uses a long wig which makes her look identical to Isis.

Prue is admired for what she sees.

PRUE

This could be a great Halloween costume.

ISIS

Halloween?

MELINDA

It’s a future thing.

Melinda and Tamora are also dressed like Egyptians.

ISIS

The three of you look like Egyptians.

PRUE

So, what’s the plan?

ISIS

Stop Set and capture the demon.

MELINDA

How are we supposed to help? We probably don’t have powers in here.

Isis laughs.

ISIS

Nonsense. Of course, you have.

TAMORA

How are you so sure?

ISIS

Because you’ve come to an era where there are no rules about magic. Not yet.

MELINDA

So, we have our powers here?

ISIS

Well, they might not be the same you’re used to, but yes.

MELINDA

Great.

PRUE

So, the plan?

Isis is about to speak when they hear someone rushing inside. As soon as Prue’s eyes lie on the person that comes in, she turns around. While Melinda and Tamora’s eyes wide open.

OSIRIS

My love!

BEAT. The living image of Wyatt. Osiris wears a long white gown with a red tie around his waist. He wears a white cone-like headdress with feathers.

Isis turns around to him as he approaches her and kisses her passionately. They then pull apart.

PRUE’S POV - She sees them through their reflection on the mirror.

OSIRIS (CONT'D)

Sepuntepet came to me before leaving. He told me everything.

ISIS

Set won’t stop until he gets what he wants. He must be stopped.

OSIRIS

I agree. But he is our brother.

ISIS

I know. We can’t harm him but can stop him. Help just arrived.

Isis looks at Melinda, Tamora, and Prue who’s still on her back.

Tamora leans on Melinda. Both of them are open-eyed.

TAMORA

Is that ---?

MELINDA

Yeah.

(to Osiris)

Hi!

OSIRIS

(to Isis)

Who are they?

ISIS

The Charmed Ones.

Osiris looks at them. His eyes stop on Prue. He can’t see his face. Isis looks at Prue.

ISIS (CONT'D)

Prue? You can turn.

Prue takes a deep breath and slowly she starts turning around.

As soon as she is completely turned around, Osiris’ eyes set on her. His eyes widen in surprise.

OSIRIS

You.

Osiris walks towards her.

ISIS

One of my future lives.

OSIRIS

(keeping his eyes on Prue)

You are so ---

PRUE

(cuts him off)

Real?

OSIRIS

Beautiful.

Prue smiles. Isis smiles.

OSIRIS (CONT'D)

You really look ---

Osiris looks from Prue to Isis.

OSIRIS (CONT'D)

--- the same.

ISIS

That’s because we are, my Love.

Tamora leans on Melinda.

TAMORA

(whispering)

Isn’t it weird?

Melinda smiles.

MELINDA

I thought it would, but it doesn’t.

Tamora shoots Melinda an astonished look.

OSIRIS

Impressive.

Osiris and Prue stare at each other.

OSIRIS (CONT'D)

We must stop Set.

ISIS

I have a plan.

They all turn to Isis.

ISIS (CONT'D)

We must divide and conquer.

(to Prue, Melinda and Tamora)

The three of you head to Set. He must be at the Temple Room. Osiris and I will go after the demon. Osiris can lock him time enough to get the creature back into the palace where the three of you will lock it in the Ankh.

(pauses)

Meanwhile, you three head to Set.

TAMORA

And what do we do? Are our powers enough to fight a God?

ISIS

You are the Charmed Ones. One of you ---

(looks at Prue)

--- the future life of a Goddess.

TAMORA

Fake Goddess.

ISIS

Indeed. And still. Powerful enough.

OSIRIS

Besides, we don’t want to harm Set. Just hold him time enough for me to bring the creature back to the palace.

PRUE

Fine. We can do that.

ISIS

Go. We’ll meet you as soon as we get the demon.

Prue, Melinda, and Tamora nod. The three of them leave the bedroom. Osiris turns to Isis.

OSIRIS

She is so like you.

Isis smiles.

ISIS

I told you. What we saw on the Fall was real.

Osiris smiles.

OSIRIS

I just hope the two of us are together in any life we live.

ISIS

I’m sure we will.

Osiris approaches Isis and kisses her passionately.

CUT TO:

INT. PALACE OF THE PHARAOH - CORRIDOR - VALLEY OF THE GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

Prue, Melinda, and Tamora come walking down the corridor heading to the Temple Room.

TAMORA

You guys realize that we are about to fight a God, haven’t you?

PRUE

Fake God.

TAMORA

Still.

MELINDA

So, this Set ---

PRUE

Chaos.

MELINDA

And our powers?

PRUE

Let’s find out what we can do with them.

They keep walking towards the room.

CUT TO:

INT. PALACE OF THE PHARAOH - TEMPLE OF THE GODS ROOM - VALLEY OF THE GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

Set is alone in the room. He’s only dressed from his waist down. His bare-chested is adorned only by a heavy necklace made of precious yellow and blue stones and gold.

Set is leaning against the counter where the four bigger figures are. His face up to the Gods’ figures.

ON SET’S FACE - He smirks.

OFF TO THE DOORS - They open and a NEPHTHYS comes in. She wears a yellow long gown. Her hair is black, long a straight and she wears a headband on the head.

She comes in exhausted.

NEPHTHYS

Set!

Set turns around. She walks towards him.

NEPHTHYS (CONT'D)

What have you done, Set?

SET

I’ve done what I had to.

NEPHTHYS

You’ve brought chaos upon our land. The land the four of us built. We were lucky that we weren’t sent to Hell along with some many others fallen Angels before us.

SET

I am already known as the God of chaos. What harm can do a little chaos?

NEPHTHYS

People are scared. They scream outside. The creature is creating disaster. My servants have told me that it possessed a few people and killed some others while possessing those people.

Set smiles.

NEPHTHYS (CONT'D)

You enjoy this.

SET

I will dethrone Osiris.

NEPHTHYS

He is the rightful Pharaoh. The eldest one.

SET

I am stronger.

PRUE (O.S.)

No, you are not!

Nephthys and Set turn to see Prue, Melinda, and Tamora coming in.

SET

The Queen!

PRUE

Stop this nonsense.

SET

(smirks)

Never.

NEPHTHYS

Isis, I didn’t know he was going to release the creature tonight.

Melinda and Tamora exchange glances. Prue looks at Nephthys. Then she looks at Set.

PRUE

I order you to stop it.

SET

You order me?!

(laughs loudly)

My dear, sister, you can’t order me anything.

PRUE

I am the Queen. Above you, Set.

SET

No one is above me, Isis. That’s why the throne should be mine.

PRUE

It will never be yours.

SET

What are you going to do to stop me? You can’t harm me. I’m your brother.

PRUE

And so is Osiris. And still, you are plotting against him.

SET

I will have everything my brother took from me. The throne. The love of the people.

(smirks)

And the wife, of course.

PRUE

Never. That would never happen.

SET

We’ll see about that.

Set WAVES his hands and some YELLOW RAYS come from it. At the same time, Prue WAVES her hands and bright BLUE RAYS come from them. Both Set and Prue’s powers meet halfway. Nephthys steps back.

MELINDA

What do we do?

TAMORA

We fight.

MELINDA

But our powers ---

TAMORA

Something tells me we just need to wave our hands.

Melinda nods. Both Melinda and Tamora WAVE their hands and BLUE RAYS come from them and join Prue’s. The Power of a God against the Power of Three.

THE RAYS become unstable and it doesn’t take long for sparkles to come out of it. Soon, the sparkles create an explosion that THROWS them all flying through the air. They all roll down on the floor, including Nephthys.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY - PRESENT

Chris and Jo stare seriously at each other. Bianca is open-mouthed staring at them.

JO

What did you say?

CHRIS

What you heard.

Jo and Bianca exchange glances.

CHRIS

You know, I’ve noticed that you have some resemblances to Wyatt. But you also have things from Prue. Being stubborn, bossy.

JO

I’m not stubborn.

BIANCA

Yes, you are.

CHRIS

And that’s very funny. Your resemblance to Wyatt, but you also are like Prue. You called her mum once. I would say you are Wyatt and Prue’s daughter.

Jo’s eyes widen in surprise.

CHRIS (CONT'D)

Which can’t be, because they are cousins, right?

JO

Right.

CHRIS

But still.

Chris walks towards Jo and stands right in front of her.

CHRIS (CONT'D)

You know, when I was a little boy and saw them fighting, they seemed like an old couple to me. I laughed a lot imagining those two falling in love someday, getting marry and having kids.

JO

You did?

Chris nods.

CHRIS

So why do I have the feeling that you are their daughter from the future? Not just Prue’s, but Wyatt and Prue’s daughter from the future.

JO

How could that even be possible? Wyatt and Prue are not a couple.

CHRIS

In this reality.

Jo and Bianca exchange glances.

JO

You don’t believe that.

CHRIS

I didn’t. But now ---

Chris looks at Bianca.

CHRIS (CONT'D)

--- I might have some reasons to.

Chris turns to Jo again.

CHRIS (CONT'D)

Are you?

Jo swallows.

CHRIS (CONT'D)

Are you Prue and Wyatt’s daughter?

JO

Chris ---

Chris smiles.

CHRIS

Fine. Don’t say anything.

Chris takes a deep breath.

CHRIS

I’ll go check on Ella.

BIANCA

What about the girls?

CHRIS

They were supposed to go to wherever they went.

BIANCA

You are not worried.

Chris shakes his head.

CHRIS

Yeah, I am. But I trust.

Chris walks out of the kitchen. Jo and Bianca look at each other.

BIANCA

Did this just happened?

JO

I guess so.

Both women look at each other.

CUT TO:

EXT. SAN FRANCISCO - DAY TURNS INTO EVENING

AERIAL SHOOTS all over the town as the day ends.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - EVENING

The front door opens and Wyatt comes in.

WYATT

Prue?

OFF TO JO AND BIANCA - They come from the living room.

Wyatt stares at them.

WYATT (CONT'D)

What are you doing here?

Jo gives him a pointed look.

WYATT (CONT'D)

I saw Prue’s car outside.

BIANCA

She has traveled back in time, I guess.

WYATT

(surprised)

What?

JO

(mad)

How could you?

Wyatt doesn’t understand.

BIANCA

Jo.

WYATT

Sorry, what?

JO

She’s pregnant.

Wyatt looks from Bianca to Jo.

JO (CONT'D)

What the hell did you do?

BIANCA

Jo!

WYATT

I believe you have nothing to do with it.

JO

You believe wrong.

WYATT

I ---

Chris comes downstairs.

CHRIS

Wyatt!

Wyatt turns to his brother.

CHRIS (CONT'D)

I’m glad you’re home.

Wyatt turns to Jo who is still looking upset at him.

CHRIS (CONT'D)

Jess is upstairs. Why don’t you go and see your wife? Mine is locked in the bedroom and she doesn’t want to talk to me.

WYATT

Why?

Chris looks at Bianca.

BIANCA

I should better leave. I shouldn’t be here anyway.

WYATT

Which reminds me, why are you two here and where is Prue?

CHRIS

We don’t know, okay? But I’m sure she’s fine.

(to Wyatt)

Your wife!

Wyatt glances at Bianca and Jo and then walks upstairs. Chris looks at Jo.

CHRIS (CONT'D)

That’s not how you’re going to convince him of what’s wrong and right.

JO

You know nothing, Chris.

CHRIS

I might not, but I’m willing to. Look, Bianca, you better go home, okay? Ella is mad at your presence here.

BIANCA

I didn’t do anything to her.

JO

Oh, I bet she’s jealous. She has reason to.

CHRIS

What?

BIANCA

Jo!

JO

Oh, enough of this nonsense. God, this is wrong.

BIANCA

Not the time, Jo.

CHRIS

I agree with Bianca, okay? Why don’t you guys ---

JO

I’m not leaving until Prue gets back.

Chris and Bianca exchange glances. Chris takes a deep breath.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. ALLEYS - VALLEY OF GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

People run desperately down the alleys. A SHADOWY figure flies across the sky scaring people out.

The Shadowy figure is a demon known as the Hatayw. The Hatayw enters the body of a man. The man screams. Then approaches a young lady nearby and grabs her strongly by her arms. He throws her against some clay pots. The woman screams as her head hits the pots. She falls unconscious. The Hatayw turns to the people around and laughs madly.

OFF TO OSIRIS AND ISIS - They come running and glancing around all the chaos there.

ISIS

This is chaos.

OSIRIS

That’s exactly what Set is.

ISIS

Where is the demon?

They glance around.

OFF TO A MAN - Possessed by the Hatayw, the man runs fast after other people who try to escape from him.

Isis and Osiris spot the man.

ISIS (CONT'D)

It must be him.

OSIRIS

It certainly is it.

Isis and Osiris go after the man.

ISIS

(loudly)

STOP! I COMAND YOU!

The man stops. Slowly, he turns to face Isis and Osiris. As soon as the man looks at Isis and Osiris, he starts laughing madly.

OSIRIS

We must make him leave that body.

ISIS

On it!

Isis REACHES out her hand and sends a WAVE of ENERGY towards the man. As soon as the man is hit, the Hatayw leaves the body.

ISIS (CONT'D)

Up to you now.

Osiris nods. He raises both his arms to the sky and then, to the Hatayw. ENERGY RAYS come from them surrounding the Hatayw and forming a tie around him. The creature screams.

ISIS (CONT'D)

Take it to the palace. Give the Ankh to the girls.

OSIRIS

See you soon, my Love.

Isis nods. Osiris starts moving away not letting go of the ENERGY TIE.

Isis stares at him as he leaves. People run around her.

CUT TO:

INT. PALACE OF THE PHARAOH - TEMPLE OF THE GODS ROOM - VALLEY OF THE GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

ENERGY RAYS, both yellow and blue, fly all over the place. The Gods’ figures are turned into pieces. The whole room is a mess.

Nephthys is hiding behind a pillar. Set comes to her SENDING RAYS towards the Charmed Ones.

SET

Isis is going to pay me.

NEPHTHYS

Stop this madness, Set.

SET

Never. The throne will be mine.

NEPHTHYS

No, it won’t. And Osiris won’t forget that you are attacking his wife.

On the other side of the room, close to the entrance, are Prue, Melinda, and Tamora. They hide behind a pillar each.

MELINDA

Why is it taking them so long?

PRUE

No idea. We must keep fighting him.

SET (O.S.)

C’mon, sister. Come meet me. I wish you no harm.

Melinda and Tamora look at Prue.

TAMORA

One thing worked. He thinks you are Isis.

PRUE

(loudly)

Stop it, Set.

Prue walks in from behind the pillar and stands.

Set comes from behind the pillar and stares at Prue. He WAVES his hand and sends a ray in her direction.

And then, suddenly, her voice comes out louder and stronger than ever.

PRUE (CONT'D)

(loudly)

STOP IT!

A WAVE of ENERGY is projected as Prue speaks that sends the ray towards Set and so, Set is thrown away. He goes flying across the room.

PRUE

(amazed)

Wow.

Nephthys comes from behind the pillar and approaches Set who’s on the floor.

OFF TO THE ENTRANCE - Osiris comes in with a hovering Hatayw tied to Osiris energy tie.

Melinda and Tamora look at him.

MELINDA

It was about time.

Prue looks at Osiris and the demon.

PRUE

Is that the demon?

TAMORA

How do we lock it down?

OSIRIS

Isis said to use this.

Osiris with one hand holds the energy tie, while with the other he holds Isis’ Ankh.
Prue walks towards him.

OSIRIS (CONT'D)

(hands the Ankh to Prue)

Take it, Isis.

Prue smiles and grabs the Ankh.

OSIRIS (CONT'D)

I’m gonna let it go. As soon as I do, do what you are supposed to.

Prue nods.

PRUE

Don’t worry.

Prue and Osiris smile at each other. Then Prue turns to Melinda and Tamora and nods.

TAMORA

What are we supposed to do?

PRUE

What we do best. Be charmed!

Melinda and Tamora smile. All three women get in the middle of the room. Prue looks at Osiris over her shoulder and nods. Osiris nods back. Then Osiris turns off the energy tie and the demon is released in the room. Its screams are very loudly. Nephthys helps Set to stand.

PRUE (CONT'D)

Repeat after me.

Prue starts chanting. Melinda and Tamora repeat after her.

PRUE

(chanting)

'Ana qafl lak.’

MELINDA / TAMORA

(chanting)

'Ana qafl lak.’

PRUE

(chanting)

‘Mae quat min thlath.’

MELINDA / TAMORA

(chanting)

‘Mae quat min thlath.’

PRUE

(chanting)

‘Makhluq min alzilal,’

MELINDA / TAMORA

(chanting)

‘Makhluq min alzilal,’

PRUE

(chanting)

‘Tusarikh hiznukum,’

MELINDA / TAMORA

(chanting)

‘Tusarikh hiznukum,’

PRUE

(chanting)

‘Tasarakh 'almak,’

MELINDA / TAMORA

(chanting)

‘Tasarakh 'almak,’

PRUE

(chanting)

‘Fi makan hayth sayatimu 'iiskat sawtik’

MELINDA / TAMORA

(chanting)

‘Fi makan hayth sayatimu ‘iiskat sawtik’

Prue reaches out her arms holding the Ankh. The creature screams in pain.

Set, Nephthys and Osiris look at the scene.

The creature starts being pulled into the Ankh. Moments later, the screams end. The creature is locked inside the Ankh.

SET

(really mad)

What have you done?!

OSIRIS

Brother!

Set is about to head towards Prue, who he thinks is Isis, but Osiris steps in front of him.

OSIRIS (CONT'D)

Don’t you dare.

SET

One day, brother, I’ll put an end on you. And then, I’ll be the great Pharaoh Set.

OSIRIS

One day you might, but that day is not today.

Set shouts out loudly. Then he shoots Prue a look full of rage and storms out of the room. Nephthys follows him.

Osiris turns to the Charmed Ones.

OSIRIS (CONT'D)

Thank you.

PRUE

We just did what we had to.

MELINDA

How come we know the language?

The three girls exchange glances.

PRUE

Well, maybe that comes from the new powers package.

TAMORA

It’s a shame we won’t have it in our time.

PRUE

Speak for yourselves. I’m a Cupid, I know the language when I have to speak to my charges.

OSIRIS

Cupid?

PRUE

A long story. And is a future thing. We can’t talk about it.

Osiris smiles. Both Prue and Osiris look at each other.

CUT TO:

EXT. SAN FRANCISCO - NIGHT - PRESENT

AERIAL FOOTAGE all over the town at the sound of instrumental Egyptian music.

CUT TO:

INT. HALLIWELL / COOP MANOR - ENTRANCE / STAIRCASE - NIGHT

MUSIC FADES OFF.

Cassandra comes downstairs. She’s wearing a simple but beautiful short black dress with a white jacket. She heads towards the front door and opens it.

There, standing, wearing a grey suit with no tie and holding a bouquet of roses, is Johnathan.

Cassandra smiles.

JOHNATHAN

Cassandra, you look beautiful.

CASSANDRA

Thank you, Mr. Hale. Are those for me?

Johnathan hands her the flowers.

CASSANDRA (CONT'D)

They’re beautiful.

Cassandra smiles as she senses the smells from the flowers.

JOHNATHAN

Ready to go?

Cassandra nods.

CASSANDRA

Where are you taking me to?

JOHNATHAN

My favorite restaurant in town, how about that?

Cassandra smiles. Johnathan offers her his arm and she takes it. Both of them walk out of the house.

CUT TO:

INT. HALLIWELL MANOR - CHRIS & ELLA’S BEDROOM - NIGHT

Ella comes from inside the walk-in-closet. She seems mad. Chris comes following her.

ELLA

Did you really have to take her home? Couldn’t she shimmer out or something?

CHRIS

She could. But we are on alert, remember? Because of the Phoenix Witch that’s behind Bianca.

ELLA

I don’t care who’s behind her. I don’t give a damn to that woman. I just want my husband away from her.

Chris can’t believe what she’s saying and how she’s behaving. A sarcastic expression appears on his face.

CHRIS

I can’t believe you are jealous of her.

ELLA

I saw you the other night in P3. You two seemed to be having a very nice conversation.

CHRIS

It was nothing.

ELLA

Wasn’t it?

Ella stares at Chris waiting for an answer. Chris looks aside.

ELLA (CONT'D)

I know you, Chris. And I know the way you look at her. 

Ella sits on the bed.

ELLA (CONT'D)

You became someone else the day she appeared in our lives. You are not the man I married.

CHRIS

I’m still me, El.

Ella looks up at him.

ELLA

Then, prove it to me.

CHRIS

How?

Ella stands and walks towards him. She puts her arms around his neck and starts kissing him passionately. At first, Chris kisses her back, but it seems like some sparkles are missing there. Ella pulls back.

CHRIS (CONT'D)

What?

Ella looks seriously at Chris.

ELLA

You are not the same, Chris.

Ella turns around.

CHRIS

I haven’t changed, Ella. But it’s pointless agreeing with you. You clearly have made up your mind.

Chris turns around to leave. He walks towards the door and stops.

CHRIS (CONT'D)

I’ll sleep in Mel’s old bedroom.

Chris opens the door and leaves. Ella starts crying hard. She lets herself fall on the floor as tears roll down her face.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - NIGHT

Jessica pours coffee into two cups. Then, she looks over her shoulder and sees Wyatt sitting on the table.

Jessica takes the small bottle with the potion from her pants’ pocket and pours some into one of the cups.

Then, she takes the cups and heads to the table. She sits beside Wyatt.

JESSICA

Black coffee.

Wyatt smiles thankfully. He looks at her cup of coffee.

WYATT

You shouldn’t ---

JESSICA

Oh, I know. This is the last one. From tomorrow on, no more coffee for me.

Wyatt smiles. He has a sip of his coffee.

CLOSE ON - WYATT’S MOUTH HAVING A SIP OF HIS COFFEE.

Jessica smiles. Then she runs her right hands through his hair.

JESSICA

Thank you for coming home to me tonight.

Wyatt looks at her.

WYATT

You’re my wife. Where should I go to?

JESSICA

You are my home, Wy. I love you so much. And I know we are going to be such a good parents to our kids.

Wyatt smiles. Jessica gets closer to him.

JESSICA (CONT'D)

Let’s go back to be what we had before. I miss us, Wy.

She approaches even more. Their mouth almost touching.

JESSICA (CONT'D)

I desire you, babe.

WYATT

I desire you two, Jess.

And they kiss. It starts as a soft kiss, but then grows to passionate. Wyatt pushes her against him and both kiss each other passionately.

CUT TO:

INT. PALACE OF THE PHARAOH - TEMPLE OF THE GODS ROOM - VALLEY OF THE GODS - ANCIENT EGYPT - NIGHT - A VERY LONG TIME AGO

The room is a mess. Isis and Osiris are there as well as Prue, Melinda, and Tamora. The Charmed Ones still wear their Egyptian clothes. Isis is holding the Ankh.

ISIS

What you did for us was very important.

PRUE

We just did what we had to do.

OSIRIS

Thank you. The three of you.

ISIS

I’m gonna make sure, I’ll hand this to Sepuntepet tonight.

(pause)

Thank you for attending my call.

TAMORA

What’s going to happen to Set?

Isis and Osiris exchange glances.

OSIRIS

He is our brother. We cannot harm him.

TAMORA

Not a little punishment for his treason?

OSIRIS

No. We can’t.

ISIS

It’s the rules. If we harm one of our own, we’ll suffer the consequences, no matter what.

PRUE

Then Set ---

ISIS

No, Prue. We don’t want to know.

OSIRIS

We can handle ereything.

Prue smiles.

ISIS

Besides, we don’t want to change history.

MELINDA

No, and we want to go back to our time.

Isis walks towards the Charmed Ones. She looks at Tamora.

ISIS

Know that I never wanted people to look at us as Gods.

TAMORA

Set did.

ISIS

Set is not an example to be followed.

TAMORA

True. I’ve learned something from this.

ISIS

Which is?

TAMORA

I’ll read more history books.

Prue and Melinda smile.

TAMORA (CONT'D)

I work with art and just a resume of a piece is not enough. I must search and learn the history behind those pieces of art. I don’t know, maybe one object like the one you hold in your hands ends up in my front.

Isis smiles.

ISIS

Well, I’m happy about that. And keep believing in only one God.

TAMORA

Don’t worry. I will.

Tamora smiles. Then, Isis looks at Melinda.

ISIS

Have you learned something as well?

Melinda looks at Osiris who smiles at her and then looks at Isis.

MELINDA

I have. Somehow what’s true revealed itself to me.

ISIS

I hope you do good use of that truth.

MELINDA

(looks at Prue)

I will.

Isis walks towards Prue and smiles.

PRUE

And here I thought I would never see me as a Goddess.

ISIS

Fake Goddess.

PRUE

Still. My first past life.

Isis smiles. She touches Prue’s belly. Prue is surprised.

ISIS

They are going to be beautiful.

PRUE

How did you know?

ISIS

You are me, remember?

Osiris goes to hug Melinda and Tamora. Isis looks at him.

ISIS

I wish we could ---

PRUE

You will. He will be a living Horus.

ISIS

Horus?

Prue smiles.

ISIS (CONT'D)

Horus!

Osiris approaches them.

OSIRIS

Prue, again, thank you.

Prue smiles.

ISIS

Prue, don’t ever give up. There’ll be moments, you’ll want to give up. But don’t. You’ll find your way to each other. That’s what true love means.

(looks at Osiris and smiles)

I know what I’m talking about.

Prue smiles. Tamora is confused.

OSIRIS

Travel safely.

PRUE

You can send us back to our time now.

ISIS

Send? We don’t know how.

TAMORA

Oh, crap. Are we trapped here?

At the moment, a breeze comes through the window and surrounds them. Soon, they start turning into dust.

ISIS

Farewell.

The Charmed Ones turn completely into dust and are taken from there.

Isis looks at Osiris who looks her back. Then both of them kiss each other.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

Jo is on the couch. Right beside her is the Ankh wrapped in the cloth.

A breeze comes from the window bringing dust and soon, the dust turns into Prue, Melinda, and Tamora.

Jo stands right away.

JO

(relieved)

Oh, you’re back!

Prue, Melinda, and Tamora are still wearing their Egyptian clothes.

JO (CONT'D)

What are you guys wearing?

TAMORA

Clothes worthy of the Goddess.

Jo’s eyes widen.

PRUE

We went to ancient Egypt.

MELINDA

Like real ancient Egypt.

TAMORA

In a time of Gods.

JO

(surprised)

What? You mean like you ---

TAMORA

Yep, we met some fake Gods and defeated another. Oh, also we found out that Isis is the first past life of Prue.

JO

What?

PRUE

I’ll explain later.

OFF TO THE DOORFRAME BETWEEN THE LIVING ROOM AND THE SITTING ROOM - Wyatt and Jessica come kissing passionately and laughing.

The girls look at them. Prue is open-eyed.

TAMORA

Hey, you two! Get a room.

Wyatt and Jessica realize their presence and stop kissing. Wyatt sees Prue and then he looks at Jessica. Suddenly, he feels like he was doing something wrong.

JESSICA

Oh, you guys! Came back, huh?!

Jessica looks them up and down.

JESSICA

Where have you been anyway?

Jessica seems too happy.

JESSICA

You look like you came from a Halloween party, but Halloween is not until a few months.

WYATT

(to Prue)

You look ---

JO

Like the Goddess Isis?

Wyatt looks at Jo and nods.

JESSICA

Goddess?

(laughs sarcastic)

Please. Only in Prue’s dreams, she would look anything like Isis.

MELINDA

That’s not quite right, Jess. Isis is Prue’s past life.

And BEAT. Jessica is shut up by that.

JESSICA

Oh, well, I never like fake Gods anyway.

Wyatt and Prue stare at each other. Then Jessica grabs Wyatt’s hand and drags him out of there.

JESSICA (CONT'D)

C’mon, babe. Back to the fun.

Wyatt and Jessica leave the room.

TAMORA

Someone seems horny.

Jo looks at Prue who is very serious.

TAMORA (CONT'D)

Hey, by the way, what was that? Osiris and Isis? 

(to Prue)

You realize you and Wyatt ---

MELINDA

Tam!

Melinda looks at Tamora.

MELINDA (CONT'D)

We are all very tired. We must get some rest.

TAMORA

You’re right. I’ll cross the street.

MELINDA

See you tomorrow.

Tamora leaves the room.

SOUND - Front door opening and closing.

MELINDA (CONT'D)

Prue?

Prue turns to Melinda.

MELINDA (CONT'D)

Go home. Get some rest. Don’t think about them together, okay?

PRUE

Why are you telling me that?

MELINDA

Isis and Osiris? God, if I had any doubts, they ended the moment I saw those two together.

JO

You mean you ---

MELINDA

I believe you, yes.

(to Jo)

So, tomorrow, we’ll get back on the search of the event that altered the whole reality.

Jo smiles.

JO

Thanks, aunt Mel.

MELINDA

Aunt Mel! Well, can one of you give me a ride home?

JO

(smiling)

I do. Oh, mum ---

Jo takes the Ankh and hands it to Prue.

JO (CONT'D)

This belongs to you.

PRUE

Thanks. I’m gonna find a safe place for it.

JO

Will you drive home?

PRUE

That’s not home, Jo. Go.

Melinda waves goodbye at Prue. Then, Jo ORBS out taking Melinda.

Prue takes a deep breath. Then she BEAMS out.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - NIGHT

Jessica and Wyatt keep kissing passionately. Jessica takes off Wyatt’s jacket and then she takes off her own shirt.

JESSICA

Oh, babe, I love you so much. Please, tell me you love me too.

Jessica kisses Wyatt’s neck.

ON WYATT’S FACE - He gets serious.

Wyatt pulls back. Jessica is surprised.

JESSICA (CONT'D)

What?

Wyatt looks at her.

WYATT

I’m sorry. I’m not ---

(pauses)

--- I’m not in the mood, Jess.

JESSICA

What? But you ---

And Wyatt ORBS out. Jessica is astonished.

JESSICA (CONT'D)

He drank the potion.

Jessica has no explanation for what just happened. She sits on the bed. Astonishment is all over her face.

CUT TO:

EXT. TOP OF THE GOLDEN GATE BRIDGE - NIGHT

Prue, still wearing her Egyptian gown and jewelry, stands at the edge looking at the bridge down her. She is holding the wig. The soft breeze moves her hair.

OFF TO WYATT - He ORBS in behind her.

WYATT

Prue?

Prue turns around slowly. She is surprised.

PRUE

Wyatt? What are you doing here? I just saw you and Jess ---

WYATT

I couldn’t. As you couldn’t go to Nate either.

PRUE

Nate is not my home, Wyatt.

WYATT

Just like Jessica is not my home either.

They stare at each other seriously.

WYATT (CONT'D)

You are.

Prue smiles.

PRUE

Wyatt ---

And as lighting, Wyatt rushes towards her pulls her close to him by her waist, and kisses her passionately. Prue corresponds to every kiss and every touch. Wyatt lifts her in a bridal style as they keep kissing.

Then, Wyatt ORBS out taking her in his arms.

CUT TO BLACK.

END OF THE EPISODE